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Rose Wilder Lane Controversy surrounds Rose's exact role in what became her mother's famous "Little House" series of books. Some argue that Laura was an "untutored genius," relying on her daughter mainly for some early encouragement and her connections with publishers and literary agents. Others contend that Rose basically took each of her mother's unpolished rough drafts in hand and completely (and silently) transformed them into the series of books we know today. The truth most likely lies somewhere between these two positions — Laura's writing career as a rural journalist and credible essayist began more than two decades before the "Little House" series, and Rose's formidable skills as an editor and ghostwriter are well-documented. The existing evidence (including ongoing correspondence between the women concerning the development of the series, Rose's extensive personal diaries and Laura's draft manuscripts) tends to reveal an ongoing joint collaboration. The conclusion can be drawn that Laura's strengths as a compelling storyteller and Rose's considerable skills in dramatic pacing and literary structure contributed to an occasionally tense, but fruitful, collaboration between two talented and headstrong women. In fact, the collaboration seems to have worked both ways: two of Rose's most successful novels, Let the Hurricane Roar , 1932 and Free Land, 1938, were written at the same time as the "Little House" series and basically re-told Ingalls and Wilder family tales in an adult format. The collaboration also brought the two writers at Rocky Ridge Farm the financial resources they both needed to recoup the loss of their investments in the stock market. To state it most simply, perhaps: If Laura had not written the books, they would not exist (Rose scorned writing "juvenile literature"). But had Rose not edited the books, they may well have never been accepted for publication, nor become as famous as they are (they have never been out of print). Whatever the collaboration personally represented to Laura and Rose was never publicly discussed, however. Laura's first - and smallest - royalty check from Harper was for $500 - the equivalent of $7,300 today. By the mid-1930s the royalties from the "Little House" books brought a steady and increasingly substantial income to the Wilders for the first time in their 50 years of marriage. Various honors, huge amounts of fan mail and other accolades were granted to Laura Ingalls Wilder, the author of the "Little House" series. Also, the novels and short stories of Rose Wilder Lane during the 1930s represented her creative and literary peak. Her name received top billing on the magazine covers where her fiction and articles appeared. The Saturday Evening Post paid her $30,000 (approximately $400,000 in today's dollars) to serialize her best-selling novel Free Land, while Let the Hurricane Roar saw an increasing and steady sale, augmented by a radio dramatization starring Hellen Hayes and it has steadily remained in print even today as Young Pioneers.
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